Beautiful circuits : modernism and the mediated life
Find in Library Barth , John. Find in Library Berman , Marshall. Reprint, New York : Penguin Books , Find in Library Bowyer , Jerry.
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Bloomington : Indiana University Press , Find in Library James , David. Modernism: Evolution of an Idea. London : Bloomsbury Academic , Durham : Duke University Press , Find in Library Marshik , Celia. The Cambridge Companion to Modernist Culture. New York : Cambridge University Press , The Medium is the Massage , produced by Jerome Angel. Find in Library Midgley , Neil.
Berkeley English Beautiful Circuits: Modernism and the Mediated Life
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CFP: Post45 Graduate Symposium (UC Berkeley, February 24–25, 2017)
Oxford : Oxford University Press , Find in Library Schama , Simon. Pop Modernism: Noise and the Reinvention of the Everyday. Urbana : University of Illinois Press , Find in Library Zhong , Raymond. Back to Book Go to Page. Go Pages Front matter unlocked item Dedication. Mark McGurl Stanford. Works-in-progress may range from conference papers to articles or dissertation chapter drafts. Following the Post45 faculty symposium model, all works-in-progress will be pre-circulated; this will allow participants to consider papers carefully and to generate thoughtful critical feedback—a benefit often absent in traditional conference formats.
Papers for the sixteen participants will be shared securely, three weeks in advance of the symposium, giving each participant ample time to read. During the symposium, each paper will receive 35—45 minutes of discussion. Goble's original readings reinterpret the aesthetics of modernism in the early twentieth century, when new modes of communication made the experience of technology an occasion for profound experimentation and reflection.
He follows the assimilation of such "old" media technologies as the telegraph, telephone, and phonograph and their role in inspiring fantasies of connection, which informed a commitment to the materiality of artistic mediums.
drloveacademy.com/wp-content/map19.php Describing how relationships made possible by technology became more powerfully experienced with technology, Goble explores a modernist fetish for media that shows no signs of abating. The "mediated life" puts technology into communication with a series of shifts in how Americans conceive the mechanics and meanings of their connections to one another, and therefore to the world and to their own modernity.